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Stellenbosch Triennale 2025

19 February 2025

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30 April 2025

The Stellenbosch Triennale will be held in Stellenbosch from the 19th of February to the 30th of  April 2025. The theme for the next triennale is BA’ZINZILE: A REHEARSAL FOR BREATHING. 


UKU’ZINZA: an invocation from the Nguni people that speaks to being grounded, being calm.  Stillness is a mechanism for survival, a strategy for imagination, and an ability and persistence.  In a world losing its breath, where breathlessness pervades, we witness the tremors in our bodies and the depths we must dive to sustain life. This exhibition explores Breath and  Breathing through states of duress and ongoing extractions, using Rehearsal as a mode of  Improvised philosophies. 


Breath: Breathing is a fundamental act: taking air into the lungs and expelling it, exchanging oxygen for carbon dioxide. Breath manifests in various forms: puff, pant, gasp, wheeze, blow,  sigh, impart, imbue, transfuse, murmur, whisper, utter. Breathing is about continuing, persisting, insisting, remaining, holding, being present, and having a place. How have our breath been disturbed, disrupted and dislocated? How have we sustained ourselves throughout these interruptions? 


Breathing through States of Duress: We breathe through the duress of histories of colonialism,  enslavement, apartheid, wars and ongoing genocides, wounded by its impacts and suffocating under its weight. Yet, we Insist, on finding ways to Improvise our breath, our Aliveness, and our existence. 


Respiration: Breathing in states of duress and harm, ukuphefumla ngenxeba – to breathe through the wound. How our lungs enact somatic breathing by tracing the vascular systems of survival, cultural recovery, hope, courage, and strength in the quest to stay in the rhythm of our breath and thus life. Ukuphefumla – to breathe, umphefumlo – the spirit, attends to a place of altered and interrupted destiny. The compositions of how to breathe in breathlessness are embodied in toyi-toyi, the southern African dance used in political protests or in voguing movements used in queer culture - the life that pulses in exaltation below our feet, opening a portal to Aliveness. This practice of breathing in situ, being in ritual with oneself, is a profound expression of insistence. 


Rehearsal: A rehearsal is a session of exercise, a drill, a dry run, or a practice in preparation for a ceremony. It involves repetition to align, figuring out interpretation, mapping pathways, and creating contingency plans. It is an attempt or experiment to reveal something about the world in the near future time. 


Improvisation, Jazz and the Black Tradition: Improvisation serves as a compass—composing,  arranging, and executing without preparation. It involves off-the-cuff creativity, imagination,  and skill mastery. It’s about creating rhythms and frequencies, composing notes from the haikus of our existence. Jazz, as a Black tradition of improvisation, is birthed from ancient traditions of wailing. This reappears through horn instruments that require a deep breath, mimicking the throat as a vocal cord. Jazz embodies the mode of rehearsal as improvised philosophies,  crafting compositions on how to breathe in breathlessness where even wailing is a form of breathing! 



Curatorial Statement

BA’ZINZILE: A Rehearsal for Breathing.

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Alexandre Kyungu Mwilambwe

Democratic Republic of Congo

B. 1992

ST2025 In the Current

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Aline Motta

Brazil

B. 1974

ST2025 In the Current

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Anchi Lin (Ciwas Tahos)

Taiwan

ST2025 Embodied Interventions

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Andile Dyalvane

South Africa

B. 1978

ST2025 From the Vault

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Astrid González

Colombia/ Chile

B. 1994

ST2025 On the Cusp

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Aziz Hazara

Afghanistan

B. 1992

ST2025 In the Current

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Campbell X

United Kingdom (Based)

ST2025 The Bioscope

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Gladys Kalichini

Zambia

B. 1989

ST2025 The Bioscope

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Helen Zeru

Ethiopia

B. 1988

ST2025 On the Cusp

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Kasangati Godelive Kabena

Democratic Republic of Congo

B. 1996

ST2025 On the Cusp

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Kemang Wa Lehulere

South Africa

B. 1984

ST2025 From the Vault

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Lebohang Kganye

South Africa

B. 1990

ST2025 In the Current

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Lungiswa Joe

South Africa

B. 1982

ST2025 From the Vault

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Manyaku Mashilo

South Africa

B. 1991

ST2025 On the Cusp

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Nandele Maguni

Mozambique

B. 1981

ST2025 On the Cusp

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Obarima Kofi Ofosu-Yeboah

Ghana

ST2025 The Bioscope

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Santiago Mostyn

Turtle Island

B. 1981

ST2025 The Bioscope

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Sara Chitambo-Hatira

South Africa, Zambia

ST2025 The Bioscope

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Simphiwe Buthelezi

South Africa

B. 1996

ST2025 On the Cusp

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Simphiwe Ndzube

South Africa

B. 1990

ST2025 In the Current

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Sisonke Papu

South Africa

B. 1992

ST2025 From the Vault

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Takunda Regis Billiat

Zimbabwe

B. 1990

ST2025 On the Cusp

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Thierry Oussou

Benin

B. 1988

ST2025 In the Current

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Torkwase Dyson

United States of America

B. 1973

ST2025 In the Current

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Tuli Mekondjo

Namibia

B. 1982

ST2025 On the Cusp

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Wayan Sumahardika

Indonesia

B. 1992

ST2025 The Bioscope

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William Miko

Zambia

B. 1961

ST2025 In the Current

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Yax Ixi'im Ek Balam

Various

ST2025 The Bioscope

ST2025 | From The Vault
ST2025 | From The Vault

The From the Vault exhibition of the Triennale sits in conversation with the In the Current and On the Cusp exhibitions on a timeline that situates artistic practices between past, present and future. In recognising what has come before, From the Vault engages with individual or institutional art collections from the past. These collections offer critical insight into the role and power of both the artist and the collector in shaping narratives and discourses ranging from aesthetic values, art history…

ST2025 | BIOSCOPE / Film Festival
ST2025 | BIOSCOPE / Film Festival

Bioscope is a motion picture projector that transports us into worlds imagined, fantasised, mythologised, re-enacted, animated.


‘Bio’ means life / biography – the course of a person’s life. ‘Scope’ refers to the extent of an area / subject matter that something deals with.


Here we are recalling, remembering, retracing Bioscope as an archival space of nostalgia, play, curiosity, wonder and amazement. The Bioscope is a conversation with moving image as a geography of the possible, where we can situate our…

ST2025 | IMIZWA / Embodied Interventions
ST2025 | IMIZWA / Embodied Interventions

Oude Libertas

What is the relation between body and site? What does it mean to intervene in a space charged with a history and a body marked with a history? How does architecture determine the tactile body as a site? What lies between the tremor of the earth and our lungs? How has our breath been disrupted, distorted, dislocated? Embodied interventions engage in how trans- indigenous collaborations can build infrastructures of dreaming that can sustain our capacity to breathe. We have been…

ST2025 | In the Current
ST2025 | In the Current

Artists are invited from different parts of the continent and the world, and through their work we can explore, examine, interrogate, question, view and experience the present. Exhibition making as a Rehearsal: positioning the Triennale as a rehearsal for the actions and changes we aspire to enact in the real world. This exhibition is a rehearsal for breathing — Breathing is holy. Art becomes an infrastructure of care, posing the question: if death is the given condition, how do we…

ST2025 | On the Cusp
ST2025 | On the Cusp

An exhibition of artworks by young African artists, On the Cusp is about revealing and unraveling the creative talents of tomorrow. Focused on graduating visual art students and young art practitioners who have pushed their creative boundaries and sit on the cusp of beauty and magic through their aesthetic, conceptual, critical, material choice, form or installation methods. On The Cusp is a point of transition between two different states; a pointed curve where two ends meet; an intersection of creative…

ST2025 | ABALOZI / Sonic Mappings
ST2025 | ABALOZI / Sonic Mappings

Oude Libertas

Calls on ixilongo – the horn to instigate a space for sonic mappings that centralise wind instruments. It is an ancestral and forensic listening to our breath and how it is funnelled through ixilongo to announce sound. It is about tracing wailing and ululating, a reading of how sound makes itself present, what and how it holds being here. Sonic mappings engage with rehearsal and improvisation as an act of breathing. Here we are working with musicologists, producers, musicians and…

Participating Artists

Exhibitions

Featured Artworks

Khanyisile Mbongwa

Khanyisile Mbongwa

ST2020 + ST2025
Chief Curator

Khanyisile Mbongwa is a Cape Town-based curatorial theorist and sociologist who engages with her curatorial practice as Curing & Care, using the creative to instigate spaces for emancipatory practices, joy, play and Black Aliveness. Mbongwa is the founding Curator of the Stellenbosch Triennale, her other recent projects include: Inaugral curator of the Hazendal Festival 2024 Bele nje, Abathulanga; curator of Liverpool Biennial 2023 'uMoya: The Sacred Return of Lost Things'; Curator of History’s Footnote: On Love & Freedom at Marres, House for Contemporary Culture in Maastricht, Netherlands 2021. Mbongwa is a PhD candidate at the Institute for Creative Arts, University of Cape Town and is a Blak C.O.R.E (Care of Radical Energy) Fellow at the University of Melbourne 2024-2025.

Dr Mike Tigere Mavura

Dr Mike Tigere Mavura

ST2020 + ST2025
Assistant Curator

Dr. Mike Mavura leads Pamurove Foundation, a land-based social practice in Domboshava, Zimbabwe, blending social sciences, indigenous knowledge, and popular culture to explore civics, spaces, and design. His work spans curatorial projects, ecological interventions, rural design, and university teaching. Mavura’s fellowships include Liverpool Biennial Curators’ Week (2023), TURN2 Residency at ZK/U Berlin (2021), and Lagos Biennale Residency (2019). He holds a PhD in Politics from Rhodes University and a certificate in Conservation Agriculture from the Foundations for Farming Institute. He serves on the Stellenbosch Outdoor Sculpture Trust and ZK/U Berlin’s Advisory Board.

Dr Paseka Blessing Chisale

Dr Paseka Blessing Chisale

ST2025
Curator of Learning

Dr. Paseka Blessing Chisale is a Stellenbosch University lecturer, artist, and research supervisor with over a decade of experience in creative arts education. His work is rooted in fostering creativity, critical thinking, and inclusivity in both teaching and research. Recent projects include the BAD ART exhibition at the 2024 SAERA conference and the Spaces and Place and Belonging initiative with his Creative Arts students. Chisale’s research explores creative arts teacher education, arts-based research, and self-study methodologies, emphasising innovative thinking and interdisciplinary approaches.

Frances Sakina Esterhuyse

Frances Sakina Esterhuyse

ST2025 Assistant Curator of Healing and learning

Frances Sakina Esterhuyse holds an Honours degree in Psychology and has just completed an Honours in Art Therapy. She is a qualified specialist wellness counsellor and has volunteered as a counsellor at Lifeline Western Cape for several years. She has a passion for learning about different cultures and speaks five languages. She also has a background in youth development and deeply believes in the healing power of art.

Curatorial Team

Gallery

ST2025 is brought to you by Outset Contemporary Art Fund and many more

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