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Victor Ehikhamenor is a Nigerian artist, photographer and writer. Ehikhamenor has been prolific in producing abstract, symbolic and politically motivated works.
A 2016 Rockefeller Foundation Bellagio Fellow, Ehikhamenor has held several solo exhibitions and his work has been included in numerous group exhibitions and biennales, including the 57th Venice Biennale as part of the Nigerian Pavilion (2017), 5th Mediations Biennale in Poznan, Poland (2016), the 12th Dak’art Biennale in Dakar, Senegal (2016), Biennale Jogja XIII, Indonesia (2015), and the 56th Venice Biennale as part of the German Pavilion (2015).
Ehikhamenor has had numerous exhibitions with strong following in Nigeria, the United States, Asia, the UK and other parts of Europe. His fictional work “Madam” and drawings “Postcards from Italy” were part of the German pavilion in the 56th Venice Biennale, “All the World’s Future”, curated by Okwui Enwezor in 2015.
He was also one of the eleven Nigerian artists at the 2015 Jogja Biennale in Indonesia where he presented his monumental installation, “The Wealth of Nations”. One of the three artists at the first Nigerian Pavilion in the Venice Biennale, “A Biography of the Forgotten” was the work showcased at the 57th Venice Biennale (2017). As a writer he has published numerous fiction and critical essays with academic journals, mainstream magazines and newspapers round the world including New York Times, BBC, CNN Online, Washington Post, Farafina, AGNI magazine, Wasafiri Magazine and others.
Ehikhamenor received his MFA in the University of Maryland, College park. He maintains a studio in Lagos, Nigeria and Maryland, U.S.A.

Other Artists

  • Ispili NetworkFebruary 4, 2020 - 15:25

    Incorporating sculpture, installation, video and performance, Bronwyn Katz’s practice engages with the concept of land as a repository of memory, reflecting on the notion of place or space as lived experience, and the ability of the land to remember and communicate the memory of its occupation.

  • Sunny DolatJanuary 28, 2020 - 14:34

    Incorporating sculpture, installation, video and performance, Bronwyn Katz’s practice engages with the concept of land as a repository of memory, reflecting on the notion of place or space as lived experience, and the ability of the land to remember and communicate the memory of its occupation.

  • Tabita RezaireJanuary 28, 2020 - 13:00

    Incorporating sculpture, installation, video and performance, Bronwyn Katz’s practice engages with the concept of land as a repository of memory, reflecting on the notion of place or space as lived experience, and the ability of the land to remember and communicate the memory of its occupation.

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LATEST NEWS & PRESS



March 17, 2020

Stellenbosch Triennale Exhibitions Temporarily Closed

March 16, 2020

Unseen Treasures From The Vault

March 12, 2020

The Life and Times of Die Braak Pavilion

THE IMAGINARIUM



A supplementary, online, open source discovery/learning resource centre for all ages where the 8C’s of learning will be stimulated and explored:
Curiosity, Creativity, Criticism, Communication, Collaboration, Compassion, Composure & Citizenship.


VISIT THE IMAGINARIUM WEBSITE

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