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Reshma Chhiba is a visual artist and dancer based in Johannesburg. She holds a BAFA (2005) and an MAFA (2013), from the University of the Witwatersrand, and a diploma in Bharatanatyam (2002) from the Institute of Indian Art and Culture (South Africa). She currently serves as Exhibitions Coordinator at The Point of Order, an experimental exhibition space run by the Division of Visual Arts, Wits University. Previously, Chhiba worked at the Visual Identities in Art and Design Research Centre (VIAD), University of Johannesburg (2013 – 2015), and Exhibitions Curator and then Registrar at the Johannesburg Art Gallery (2007 – 2013). Joint winner of the Wits School of Arts Martienssen Prize 2003, she was selected by the Goethe Institut (2007) to work as an art mediator at Documenta 12, in Kassel, Germany. She has participated in numerous group shows, including Impossible Monsters – Art Extra (2007); Self/Not Self – Brodie Stevenson (2009); Domestic – GoetheonMain (2009), Alterating Conditions: Performing Performance Art in South Africa – GoetheonMain (2011), [Working Title] – Goodman Cape (2012), 21BF – Turbine Hall and Bag Factory (2012), Princess in the veld – KKNK Festival (2015); Re-membering: Memory, Intimacy, Archive – KZNSA Gallery (2017) & Michaelis Galleries (2018); set design for A Million Sitas by Anita Ratnam – JOMBA Festival (2018) and others. Her solo exhibitions include Kali – Art Extra (2008) and The Two Talking Yonis – Constitution Hill Women’s Jail, Kalashnikovv Gallery and Room Gallery (2013), in which she collaborated with curator Nontobeko Ntombela. She is also co-founder of Sarvavidya Natyaalaya (SVN), a non-profit classical Indian dance school specialising in Bharatanatyam in South Africa.

Other Artists

  • Ispili NetworkFebruary 4, 2020 - 15:25

    Incorporating sculpture, installation, video and performance, Bronwyn Katz’s practice engages with the concept of land as a repository of memory, reflecting on the notion of place or space as lived experience, and the ability of the land to remember and communicate the memory of its occupation.

  • Sunny DolatJanuary 28, 2020 - 14:34

    Incorporating sculpture, installation, video and performance, Bronwyn Katz’s practice engages with the concept of land as a repository of memory, reflecting on the notion of place or space as lived experience, and the ability of the land to remember and communicate the memory of its occupation.

  • Tabita RezaireJanuary 28, 2020 - 13:00

    Incorporating sculpture, installation, video and performance, Bronwyn Katz’s practice engages with the concept of land as a repository of memory, reflecting on the notion of place or space as lived experience, and the ability of the land to remember and communicate the memory of its occupation.

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LATEST NEWS & PRESS



March 17, 2020

Stellenbosch Triennale Exhibitions Temporarily Closed

March 16, 2020

Unseen Treasures From The Vault

March 12, 2020

The Life and Times of Die Braak Pavilion

THE IMAGINARIUM



A supplementary, online, open source discovery/learning resource centre for all ages where the 8C’s of learning will be stimulated and explored:
Curiosity, Creativity, Criticism, Communication, Collaboration, Compassion, Composure & Citizenship.


VISIT THE IMAGINARIUM WEBSITE

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