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Donna Kukama (born in Mafikeng, South Africa) is an interdisciplinary artist whose work is informed by a performance-based research processes. Her work resists established ways of doing, often presenting institutions, book chapters, monuments, or historical archives that are as real as they are fictitious. Through performance, video, sound, texts, and non-monuments, her work questions the way in which histories are narrated, as well as how value systems are constructed, often resisting established “ways of doing”.

Kukama has exhibited and presented performances at several notable institutions and museums, including the Nottingham Contemporary in Nottingham, Kunsthal KaDe in Amersfoort; Padiglione de’Arte Contemporanea Milano in Milan; South African National Gallery in Cape Town; Museum of Modern Art in Antwerp; Tate Modern in London; nGbK in Berlin; and the New Museum in New York. She has participated in the 57th Belgrade Biennale; 12th Lyon Biennale; the 6th Moscow Biennale of Contemporary Art; 32nd Bienal de São Paulo and 8th Berlin Biennale. She was recently one of the small group of artists invited to launch the 10th Berlin Biennale’s public program, and was also a part of the South African Pavilion at the 55th Venice Biennale. She is the 2014 recipient of the Standard Bank Young Artist Award for Performance Art and was nominated for the MTN New Contemporaries Award (2010) and the Visible Award (as NON NON Collective) in 2011. She currently teaches at the Wits School of Arts in Johannesburg, South Africa and plans to complete her practice-led research PhD at the same institution. She is also a member of the artist collective Center for Historical Reenactments. Kukama lives and works in Johannesburg, South Africa.

Other Artists

  • Ispili NetworkFebruary 4, 2020 - 15:25

    Incorporating sculpture, installation, video and performance, Bronwyn Katz’s practice engages with the concept of land as a repository of memory, reflecting on the notion of place or space as lived experience, and the ability of the land to remember and communicate the memory of its occupation.

  • Sunny DolatJanuary 28, 2020 - 14:34

    Incorporating sculpture, installation, video and performance, Bronwyn Katz’s practice engages with the concept of land as a repository of memory, reflecting on the notion of place or space as lived experience, and the ability of the land to remember and communicate the memory of its occupation.

  • Tabita RezaireJanuary 28, 2020 - 13:00

    Incorporating sculpture, installation, video and performance, Bronwyn Katz’s practice engages with the concept of land as a repository of memory, reflecting on the notion of place or space as lived experience, and the ability of the land to remember and communicate the memory of its occupation.

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LATEST NEWS & PRESS



March 17, 2020

Stellenbosch Triennale Exhibitions Temporarily Closed

March 16, 2020

Unseen Treasures From The Vault

March 12, 2020

The Life and Times of Die Braak Pavilion

THE IMAGINARIUM



A supplementary, online, open source discovery/learning resource centre for all ages where the 8C’s of learning will be stimulated and explored:
Curiosity, Creativity, Criticism, Communication, Collaboration, Compassion, Composure & Citizenship.


VISIT THE IMAGINARIUM WEBSITE

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